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Last updated on Oct 17, 2011
All rights reserved @ suk-jun kim 1999-2011
“A highlight of the first half... was Korean composer Suk-Jun Kim’s Midong, in which Kim’s Asian musical roots could be heard. Extremely heartfelt and touching, it was a work of masterful simplicity—a rare thing these days, when so many electroacoustic composers seem to feel that more is better.”
Matthew McFarlane, Musicworks (Canada), March 1, 2003
“[Kim’s works] are inspired by a poetics of space and location involving both sound and listener. Initially the pieces seem sparing in their sound design; the always intelligible inner development of a never very large number of sound-objects corresponds with clearly described movements in space. But even with their gentle calmness and transparency, the sounds nevertheless generate subliminal questions, whose answers are constantly delayed in a kind of sonic dream logic that lends the works their tension.”
DAAD website, 2009
Ohrenhoch Kunsttexte Three Cities Project Hasla published Pierre Schaeffer’s Phenomenology Artist Residency at MANTIS, Presentation at SARC, Belfast Inventionen 2010 s.low projekt Painting Nahhamu Leverhulme visiting fellowship Sound Screen Mnemon Souvenirs for Your Itineraries Memory Tub A Travel Log: From Fwarrheu to Hejning In Tune, Out of Tune Ai-Maako Fesival On the Way to Fwarrheu EM-Hören at TU-Berlin Studio KEMCA Metamorphoses Composition Bourges Commission Visby Composer’s Residency CIMESP 2007 QUB Silver Collection Soundscape Composition
